This document has been created to offer a breakdown of each of the features we’re currently tracking, as well as which are currently supported. If any features are not supported but they have been added to our roadmap, the expected availability column will note when we expect this feature to be ready for use.
Pre-Configurations
| Supported | Feature | Additional Details | Expected Availability |
| Defining project default settings | |||
| Defining pull specific settings | |||
| Create various deliverables | Q4, 2025 | ||
| Choosing deliverables for each submission | Q4, 2025 |
Initiating Pull
| Supported | Feature | Additional Details | Expected Availability |
| Initiate pull directly from NLE | |||
| EDL Support | File 32, or File 129 only | ||
| XML Support | |||
| CSV Support | |||
| OTIO Support | Q4, 2025 | ||
| No requirement to remove all effects and filters before creating List File | Q4, 2025 |
Pull Settings
Format Support
| Supported | Feature | Additional Details | Expected Availability |
| Transwrap Original Camera Files | |||
| Transcoding to EXR |
Visually lossless compression only: PIZ, Uncompressed, ZIP, ZIP1 |
Q4, 2025 | |
| Transcoding to DPX | |||
| Deliver entire Original Camera File | Q2, 2025 |
Transwrapping Original Camera Files
| Supported | Feature | Additional Details | Expected Availability |
| Trimming OCF | Q4, 2025 | ||
| Trimming OCF with defined handles per submission | |||
| Trimming OCF with defined handles per shot | |||
| Merging Segments | The ability to combine various sections of the same clip used in an edit. Therefore delivering only 1 file, instead of many. |
Color Management For Transcodes
| Supported | Feature | Additional Details | Expected Availability |
| Support for ACES pipelines | |||
| Support for non ACES pipelines | |||
| Custom color pipeline per camera format | Any per shot color management is performed by AMF’s being uploaded from your DIT, Dailies or Picture finishing vendor. Once these are in our system, we can use these to define the deliverables color pipeline, per shot. | ||
| Custom color pipeline per shot | AMF’s should be uploaded by whoever created dailies, and our system will use these AMF’s when rendering. | Q3, 2025 |
Framing Management (For Transcodes)
| Supported | Feature | Additional Details | Expected Availability |
| Render at Full Resolution | Q4, 2025 | ||
| Scale all to UHD | Q4, 2025 | ||
| Normalize all renders to a common container | This will be possible by utilizing FDL’s | Q4, 2025 | |
| Normalize all renders to custom scaling/cropping | This will be possible by utilizing FDL’s | Q4, 2025 | |
| Ability to re-apply the dailies framing per camera format | FDL’s should be uploaded by whoever created dailies, and our system will use these FDL’s when rendering. | Q4, 2025 | |
| Ability to re-apply the dailies framing per shot | TBD | TBD |
Other Pull Settings
| Supported | Feature | Additional Details | Expected Availability |
| Defining handles for all shots | Handles defined are added equally to both the top and tail of each event | ||
| Defining handles for individual shots | |||
| Naming based on locators (markers) | Black, blue, cyan, green, magenta, orange, pink, purple | ||
| Naming based on Name column from EDL | |||
| Naming based on Source OCF filename | |||
| Filtering list file based on locator | |||
| Defining Start frame for first Active frame per pull | |||
| Defining Start frame for first Active frame per shot | |||
| Defining start frame for first handle | |||
| Defining number of digits within frame count | Q4,2025 |
Submitting A Pull
Defining Recipients
| Supported | Feature | Additional Details | Expected Availability |
| Send pull to all users from a defined vendor | |||
| Send pull to individual users | |||
| Send pull to multiple recipients | |||
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Define recipients per shot |
Quality Control
| Supported | Feature | Additional Details | Expected Availability |
| Flag when a shot does not conform | |||
| Alter the Tape field and re-try the conform | |||
| Alter the timecode and re-try the conform | |||
| Flag/Allow for fuzzy match conforming the Tape field (Therefore not requiring an exact match between source file and Tape column) |
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| Allow batch confirmation on fuzzy match conforms | TBD | ||
| Perceptual conform | The ability to conform based on a visual match, vs relying on metadata. | TBD | |
| Flag when multiple events are using the same output name | |||
| Flag when multiple source files match the list file uploaded (“Multimatch”) | |||
| Filter pull list items to view issue events only | |||
| Flag when missing IDT |
View / Controls
| Supported | Feature | Additional Details | Expected Availability |
| Proxies available for playback | Q2, 2025 | ||
| Proxies available to alter your in/out selection | Q2, 2025 | ||
| Viewing Settings utilized per pull available to any user |
Rendering
| Supported | Feature | Additional Details | Expected Availability |
| No limitation on number of render nodes that can be spun up at any given time | |||
| No limitation on number of software licenses that can be spun up at any given time |
Access / Availability
| Supported | Feature | Additional Details | Expected Availability |
| Maintaining pulled file availability through all of post | Plates will be available throughout all of post production for a title. In fact, if there is a 2nd season scheduled, we won’t delete the season 1 media until season 2 has completed and we know there won’t be a season 3. | ||
| Restricting vendors from seeing each others pulls | |||
| Ability to pull from previous seasons (AUTOMATICALLY) | Q3, 2025 | ||
| Download individual shots while the entire pull is still rendering | |||
| Download entire package manually | |||
| Automatic download to your workstation after pull completion |
Final Delivery
| Supported | Feature | Additional Details | Expected Availability |
| Deliver .CDL’s | |||
| Deliver .CC’s | |||
| Deliver AMF specifically made for the conform pulled media | Q3, 2025 | ||
| Deliver individual LUTs (Cubes, CLF, etc) that were used | This will require that AMF’s were uploaded into our system, as that is how we know which LUTs were connected to which shots. | Q3, 2025 | |
| Deliver CSV | |||
| Organize all media by camera format type | |||
| Deliver original list file uploaded | |||
| Deliver updated list file based on changes made during pull | Q3, 2025 | ||
| Deliver source FDL files | |||
| Deliver new FDL specifically for the shots if they were transcoded to EXR and reframed | Q4, 2025 | ||
| Source camera file metadata injected into EXR |