HDR - Critical Color Reviews The below asset delivery specs are intended for HDR Critical Color Reviews in technical review rooms at internal Netflix facilities. A Critical Color Review occurs in a color-calibrated reference environment and may be used to provide in-progress notes back to the color team as well as final color approval. For any questions regarding asset delivery for screenings and reviews at internal Netflix facilities, please contact Post Services Operations - Screenings. |
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File Naming Conventions | |
[SHOWNAME]_[CONTENT]_[TYPE]_[BITS]_[RANGE]_[COLORSPACE]_[DATE]_ [ASPECT]_[RESOLUTION]_[VERSION] Example: myshow_s01e01_vdm_10b_hdr_p3d65pq_20210323_220_3840x2160_ov |
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Video Format |
CONTAINER: Quicktime MOVCODEC: Apple ProRes 4444 XQCONTAINER SIZE: Native Deliverable, e.g. 3840x2160 or 4096x2160PIXEL ASPECT RATIO: 1:1ACTIVE IMAGE SIZE: Native Deliverable, e.g. 3840x1920 (2.0)COLOR SPACE: P3WHITE POINT: D65EOTF: PQ / ST.2084FRAME RATE: Native Deliverable, e.g 23.976, 24, 25, etc | NDF |
Timing | |
Start of File : 1 Second of Black & Silence
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Additional Information | |
Add WIP burn-ins in active image area for all shots or sections which aren't final, e.g. VFX, credits
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Metadata | |
If available:
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Audio | |
MIX: NEARFIELD PRINT MASTERCODEC: Uncompressed Linear PCMSAMPLE RATE: 48khzBIT DEPTH: 24 bitTRACK ORDER:Option 1 | 5.1 embedded in video file or separate WAV:
OR Option 2 | 2.0 embedded in video file or separate WAV:
OR Option 3 | ATMOS: deliver separate Dolby Atmos BWAV ADM File with same length as video file (more specific technical info here) |