A few quick updates from the color/imaging side:
Pulls workstream - Q1 Release notes
- 🎨 ACES 2.0 (Beta)
- You can now use ACES 2.0 on both new and existing shows.
- Extensive testing was performed to evaluate the implementation. We’ll be monitoring pilot shows and are reserving capacity to address issues as they show up.
- 🎬 Camera Format Settings (CFS) is now a Table in footage management!
We’ve just updated the Camera Formats tab in Footage Management to make it faster & easier to find what you need:
- Clearly shows the total number of available camera formats
- Grouped view for cleaner organization and quicker scanning
- Dropdown for sorting formats
- Text search to instantly filter formats by keyword
- 🧩 FDLs, IDTs & validation
- If an FDL is missing during a pull, you’ll now see a warning instead of it failing silently.
- We’re adding checks to catch invalid or incomplete FDLs upon upload
- 🎛 Smarter color transforms
- We simplified how and when gamut compression gets baked in.
- You’ll now get clear QC errors when CLFs are missing or misconfigured during the pulls submission
- 📦 AMFs & metadata
- AMFs now support a working location tag.
- Now users can configure AMFs at the project level, applying a specific look setting to all clips that don’t have an AMF.
- 📨 NMD
- Pulls sent to individual recipients can be received by NMD. This works out of the box, no need to upgrade NMD!
- 👆 Ability to reassign clips
- Now the support team can help productions reassign specific clips to other camera formats if users are blocked.
- Soon we’ll release the ability to manually change camera formats from the clips UI.